September 19, 2012
Making Sweet Music for the Community!
When you wake up everyday, do you think.  Wow I have the opportunity to do something extraordinary for my community? 
Then do you act on it?  Today I’m honored to interview two people who believe in the power of music and community.  Nate Logsdon and Chris Lyng  founders and organizers of the Maximum Ames Music Festival. 
Ames, Iowa is a small college town located in the middle of the United States.  The beautiful city receives a lot of attention in presidential election years, but this week it’s all about Music, Art, and a Strong Community!  On the eve of the festival I spoke with it’s founding fathers!
Patrick Tape Fleming: What has been the best experience working on this festival together for the second year?
Nate Logsdon:  We have a great working relationship, we love hustling together for Ames! I think one of the coolest experiences so far this year was when Chris confirmed with Jeff Mangum, we were dizzy with excitement.  
Chris Lyng: I think the best thing this year is being able to use the knowledge we gained from last year to plan this year’s fest. Last year we were doing everything for the first time. This year people know who we are and it makes it easier to collaborate with even more people.

PTF: With over 130 bands playing in 4 days, where do you even begin as a music fan.  What are your tips for surviving a festival of this magnitude! 
CL: Jump around. If you have a All Fest Pass you have the freedom to come and go as you please. Also, go to stuff you have never seen or heard off. We curated this festival to be awesome all the way through. No duds guaranteed!
NL: Check out the schedule and select your top picks for shows! Choose show in your budget and bounce around Ames checking out all the glory.
 
PTF: Making dreams come true is an emotional experience, with this festival you guys have made a dream of mine come true by bringing Jeff Mangum to Ames, Iowa.  How do you even start considering artist when you start planning a festival of this size?
NL: We have a goal of bringing in artists whose story overlaps with the story of Iowa music.. Jeff Mangum is beloved around the world and his 
music has a particular resonance in Ames because of the connected
 histories of the Ames and Athens, GA music scenes (which exist largely 
because of the Poison Control Center!) We wanted to get Jeff because we love his music
and we wanted to create a narrative of Iowa music history that
connects to his art.
CL: We look for artists that have an Iowan connection or builds an Iowan story. Jeff Mangum and Wanda Jackson are living legends and it is an important part of Max Ames to have Iowan bands sharing the stage with national headliners!

PTF: You have made Maximum Ames Fest not only about music, but about Community.  Why is the city you live in so important in everything you do. 
NL: We love living in Ames, it’s a great place to start a business or be an artist (or be both, like we do!) We aren’t doing this for ourselves, we’re doing it for the community because we love living in this town and we want people to take pride in this town.
CL: We love being from and living in Ames. Ames has so many opportunities and amazing people that have collaboration in their blood. We could not pull off a festival like this anywhere else. It is a uniquely Iowan and Ames festival. That is why Ames is in the name.

PTF: Can people still get tickets?
NL: YES! Until midnight Wednesday you can pre-order wristbands. After
that, visit our ticket booth or buy tickets to shows at the door of each show!
CL: Yes. At maximumames.com and at the ticket pickup locations and at the door.
 
PTF: You said in Juice Magazine that Willie Nelson and Bruce Springsteen would be your dream headliners, if they could do 3 songs to close the fest together what would they be. 
NL: OH MY GOD GREAT QUESTION! In this order: Blue Eyes Crying in the Rain, Amazing Grace, Atlantic City
CL: I gotta get drunk - Willie (cuz I love this song), Thunder Road, The party’s over (both Springsteen and Willie together)
 
PTF: What are you going to do when you wake up Monday morning, when the festival is all wrapped up?
CL: Going to work, booking Mumford’s upcoming tour and planning Maximum Ames Music Festival 3!
NL: GET BACK TO HUSTLING!
A big thanks to Nate and Chris for talking to me!  You truly Inspire Extraordinary Performance.  I’m super excited to see their band Mumfords and over 130 others this week in Ames.
For more information on Maximum Ames Festival check out…
http://maximumames.com/

Making Sweet Music for the Community!

When you wake up everyday, do you think.  Wow I have the opportunity to do something extraordinary for my community?

Then do you act on it?  Today I’m honored to interview two people who believe in the power of music and community.  Nate Logsdon and Chris Lyng  founders and organizers of the Maximum Ames Music Festival. 

Ames, Iowa is a small college town located in the middle of the United States.  The beautiful city receives a lot of attention in presidential election years, but this week it’s all about Music, Art, and a Strong Community!  On the eve of the festival I spoke with it’s founding fathers!

Patrick Tape Fleming: What has been the best experience working on this festival together for the second year?

Nate Logsdon:  We have a great working relationship, we love hustling together for Ames! I think one of the coolest experiences so far this year was when Chris confirmed with Jeff Mangum, we were dizzy with excitement.  

Chris Lyng: I think the best thing this year is being able to use the knowledge we gained from last year to plan this year’s fest. Last year we were doing everything for the first time. This year people know who we are and it makes it easier to collaborate with even more people.

PTF: With over 130 bands playing in 4 days, where do you even begin as a music fan.  What are your tips for surviving a festival of this magnitude! 

CL: Jump around. If you have a All Fest Pass you have the freedom to come and go as you please. Also, go to stuff you have never seen or heard off. We curated this festival to be awesome all the way through. No duds guaranteed!

NL: Check out the schedule and select your top picks for shows! Choose show in your budget and bounce around Ames checking out all the glory.

 

PTF: Making dreams come true is an emotional experience, with this festival you guys have made a dream of mine come true by bringing Jeff Mangum to Ames, Iowa.  How do you even start considering artist when you start planning a festival of this size?

NL: We have a goal of bringing in artists whose story overlaps with the story of Iowa music.. Jeff Mangum is beloved around the world and his 
music has a particular resonance in Ames because of the connected
 histories of the Ames and Athens, GA music scenes (which exist largely 
because of the Poison Control Center!) We wanted to get Jeff because we love his music
and we wanted to create a narrative of Iowa music history that
connects to his art.

CL: We look for artists that have an Iowan connection or builds an Iowan story. Jeff Mangum and Wanda Jackson are living legends and it is an important part of Max Ames to have Iowan bands sharing the stage with national headliners!


PTF: You have made Maximum Ames Fest not only about music, but about Community.  Why is the city you live in so important in everything you do. 

NL: We love living in Ames, it’s a great place to start a business or be an artist (or be both, like we do!) We aren’t doing this for ourselves, we’re doing it for the community because we love living in this town and we want people to take pride in this town.

CL: We love being from and living in Ames. Ames has so many opportunities and amazing people that have collaboration in their blood. We could not pull off a festival like this anywhere else. It is a uniquely Iowan and Ames festival. That is why Ames is in the name.


PTF: Can people still get tickets?

NL: YES! Until midnight Wednesday you can pre-order wristbands. After

that, visit our ticket booth or buy tickets to shows at the door of each show!

CL: Yes. At maximumames.com and at the ticket pickup locations and at the door.

 

PTF: You said in Juice Magazine that Willie Nelson and Bruce Springsteen would be your dream headliners, if they could do 3 songs to close the fest together what would they be. 

NL: OH MY GOD GREAT QUESTION! In this order: Blue Eyes Crying in the Rain, Amazing Grace, Atlantic City

CL: I gotta get drunk - Willie (cuz I love this song), Thunder Road, The party’s over (both Springsteen and Willie together)

 

PTF: What are you going to do when you wake up Monday morning, when the festival is all wrapped up?

CL: Going to work, booking Mumford’s upcoming tour and planning Maximum Ames Music Festival 3!

NL: GET BACK TO HUSTLING!

A big thanks to Nate and Chris for talking to me!  You truly Inspire Extraordinary Performance.  I’m super excited to see their band Mumfords and over 130 others this week in Ames.

For more information on Maximum Ames Festival check out…

http://maximumames.com/

July 11, 2012

Talking with the 80/35 Music Festival’s MVP— Derek Lambert



One of my all time favorite quotes is from Major League Baseball Hall Of Famer, Ernie Banks.  The quote goes, “Let’s Play Two.”  Meaning he loved baseball so much he always wanted to play a double header.  Not bad for a guy who never made it to a World Series.  

Now for an Iowa band, the World Series of Iowa shows has to be the 80/35 Music Festival.  Celebrating it’s 5th and most successful year this past weekend in downtown Des Moines.  One person had a day that would truly have inspired even a great like Ernie Banks!




Des Moines musician Derek Lambert played 5 shows with 5 different bands on Saturday.  
At noon he fronted his intense and melodic band, Derek Lambert and the Prairie Fires.
Then at 1:30 he played bass with the show stopping theater of Christopher the Conquered.  
Then at 7pm played drums for the wonder that is Leslie and the Ly’s. 
Then at 11pm played more drums for the debut performance of the punk rocking PURE GUT.
Then at Midnight, 12 hours after he strummed the first chord of the day he played bass for the Poison Control Center.


So lets do the math 5 shows, 3 different instruments, 4 different stages, 12 hours, all in a 105 degree heat index!  I have never experienced watching anything like it.  Now that he has had a day off lets talk with the MVP of 80/35!



Patrick Tape Fleming:  Your epic rock n roll day started at noon with your band, Derek Lambert and The Prairie Fires.  Was the day less stressful to get the big one out of the way first?


Derek Lambert:  Definitely.  For me, it is a totally different experience to play a backing instrument in a band than it is to sing and play my own songs. I don’t get nervous at all for most of the bands I’m in, but there is still a sense of vulnerability that I feel when performing my own songs and it can be nerve racking. So yes, it was very relieving to get that one out of the way first. 







PTF:  The Heat index was 105 degrees. How did you keep cool when you were not playing, moving equipment, or changing outfits for all the performances? 


DL:  I usually didn’t. But I chugged as much water as I could physically dump into my body and then poured the rest on my head. And at one point in the day, when I’d had too much heat, I left with my friends Dustin and Hannah to take a half hour nap in the air conditioning, which was a huge help. 





PTF:  How many practices did you put in preparing for 5 different shows, on 3 different instruments for 80/35? 


DL:  I would say I probably had about 10 band practices over the past few weeks. The peak of it was probably last week when you and I had back-to-back band practices totaling over 5 hours worth of rocking in the heat of my ill-ventilated basement. 







PTF:  You and Chris Ford are roommates and play in each other’s bands.  Is he usually the first person you show new songs and vice versa?


DL:  I definitely hear him playing most of his new songs around the house as they develop, so I believe I am usually among the first to hear them (which is awesome). I tend to be a little more private when I write songs, so I like to finish them and then I’ll show them to my band… which includes Chris, so I guess he is one of the first people to hear mine as well.





PTF:  Your dad was at all 5 of your shows on Saturday, how big of influence have your parents been on your music career? 


DL:  My parents are hugely supportive of anything that I want to do, so that is obviously very influential to somebody who wants to opt out of college in order to run sound at a music venue and occasionally travel the country playing music. They come to every one of my shows that they are able to, and they love everything that I do (or at least they tell me they do). I could never overestimate the value of that support.


PTF:  If you had one magical dream day where you could play with any 5 bands ever who would they be and why?
DL:  12pm. Fugazi - kick off the day with one of the most intense live bands ever, we’d blast the sleep right out of your eyes
1:30pm. Doc Watson & myself - I’d enjoy the afternoon sun by embellishing my love for the acoustic guitar with one of the greatest players of all time-lunch and nap break-7pm. Tom Waits - I would be down for whatever he wants to do, and it would be amazing11pm. The Monks - one of the most daring, inventive, and fun bands of the 1960s, it would be a blast to perform with them12am. The Poison Control Center - the greatest band to ever come out of my home state, I wouldn’t trade that reality for fantasy.












Derek thanks so much for talking to me, playing bass with the Poison Control Center, and for truly inspiring extraordinary performance.  You are an MVP in my book.



For more info check out:
http://www.facebook.com/pages/Derek-Lambert-and-the-Prairie-Fires/179604958738221 —Derek Lambert and the Prairie Fires facebook

http://maximumamesrecords.com/  —Maximum Ames Records

Photo credit: by Tony Galloro


Talking with the 80/35 Music Festival’s MVP— Derek Lambert

One of my all time favorite quotes is from Major League Baseball Hall Of Famer, Ernie Banks.  The quote goes, “Let’s Play Two.”  Meaning he loved baseball so much he always wanted to play a double header.  Not bad for a guy who never made it to a World Series.  
Now for an Iowa band, the World Series of Iowa shows has to be the 80/35 Music Festival.  Celebrating it’s 5th and most successful year this past weekend in downtown Des Moines.  One person had a day that would truly have inspired even a great like Ernie Banks!
Des Moines musician Derek Lambert played 5 shows with 5 different bands on Saturday.  
At noon he fronted his intense and melodic band, Derek Lambert and the Prairie Fires.
Then at 1:30 he played bass with the show stopping theater of Christopher the Conquered.  
Then at 7pm played drums for the wonder that is Leslie and the Ly’s
Then at 11pm played more drums for the debut performance of the punk rocking PURE GUT.
Then at Midnight, 12 hours after he strummed the first chord of the day he played bass for the Poison Control Center.
So lets do the math 5 shows, 3 different instruments, 4 different stages, 12 hours, all in a 105 degree heat index!  I have never experienced watching anything like it.  Now that he has had a day off lets talk with the MVP of 80/35!


Patrick Tape Fleming:  Your epic rock n roll day started at noon with your band, Derek Lambert and The Prairie Fires.  Was the day less stressful to get the big one out of the way first?
Derek Lambert:  Definitely.  For me, it is a totally different experience to play a backing instrument in a band than it is to sing and play my own songs. I don’t get nervous at all for most of the bands I’m in, but there is still a sense of vulnerability that I feel when performing my own songs and it can be nerve racking. So yes, it was very relieving to get that one out of the way first. 

PTF:  The Heat index was 105 degrees. How did you keep cool when you were not playing, moving equipment, or changing outfits for all the performances? 
DL:  I usually didn’t. But I chugged as much water as I could physically dump into my body and then poured the rest on my head. And at one point in the day, when I’d had too much heat, I left with my friends Dustin and Hannah to take a half hour nap in the air conditioning, which was a huge help. 


PTF:  How many practices did you put in preparing for 5 different shows, on 3 different instruments for 80/35? 
DL:  I would say I probably had about 10 band practices over the past few weeks. The peak of it was probably last week when you and I had back-to-back band practices totaling over 5 hours worth of rocking in the heat of my ill-ventilated basement. 

PTF:  You and Chris Ford are roommates and play in each other’s bands.  Is he usually the first person you show new songs and vice versa?
DL:  I definitely hear him playing most of his new songs around the house as they develop, so I believe I am usually among the first to hear them (which is awesome). I tend to be a little more private when I write songs, so I like to finish them and then I’ll show them to my band… which includes Chris, so I guess he is one of the first people to hear mine as well.


PTF:  Your dad was at all 5 of your shows on Saturday, how big of influence have your parents been on your music career? 
DL:  My parents are hugely supportive of anything that I want to do, so that is obviously very influential to somebody who wants to opt out of college in order to run sound at a music venue and occasionally travel the country playing music. They come to every one of my shows that they are able to, and they love everything that I do (or at least they tell me they do). I could never overestimate the value of that support.


PTF:  If you had one magical dream day where you could play with any 5 bands ever who would they be and why?
DL:  12pm. Fugazi - kick off the day with one of the most intense live bands ever, we’d blast the sleep right out of your eyes
1:30pm. Doc Watson & myself - I’d enjoy the afternoon sun by embellishing my love for the acoustic guitar with one of the greatest players of all time
-lunch and nap break-
7pm. Tom Waits - I would be down for whatever he wants to do, and it would be amazing
11pm. The Monks - one of the most daring, inventive, and fun bands of the 1960s, it would be a blast to perform with them
12am. The Poison Control Center - the greatest band to ever come out of my home state, I wouldn’t trade that reality for fantasy.
Derek thanks so much for talking to me, playing bass with the Poison Control Center, and for truly inspiring extraordinary performance.  You are an MVP in my book.
For more info check out:
http://maximumamesrecords.com/  —Maximum Ames Records

Photo credit: by Tony Galloro

June 28, 2012


Destination Inspiration - Talking with Christine Doolittle of the Des Moines Art Center 
Where do you go to get inspired?  Do you take long walks in the countryside, read Shakespeare, or turn on a record?  In your daily life of sleep, eat, and work, sometimes you need to take a breather and go someplace where you allow yourself to be overcome by inspiration.  It’s makes you think, react, and do things that inspire others to make the world a better place. 
When I need a jolt of inspiration I like to spend an afternoon in the Des Moines Art Center or take a run through the Pappajohn Sculpture Park.  Today we go behind the scenes and talk to the Des Moines Art Center’s Director of Marketing and Public Relations, Christine Doolittle.

Patrick Tape Fleming:  Whenever I need a quick blast of inspiration, I head to the Des Moines Art Center.  Can you describe how working in such a creative environment affects your work day?

Christine Doolittle:  Every day at the Art Center is different, from preparing for exhibitions, to working on the website, to the most exciting part of our jobs: meeting the artists. Also, it’s inspiring to walk through the galleries and see new work installed every day. Many people think the permanent galleries remain constant, but much to the contrary, our installations team rotates out works of art on a regular basis. I was just in the lower section of the Richard Meier building the other day and saw one of our newest acquisitions hanging, the Mark Grotjahn drawing, which up until that point, I had only seen in pictures. It’s stunning. (It’s also on the cover of our latest newsletter.)


 



PTF:  The Des Moines Art Center is free for everyone, which is incredible.  Can you explain why that is, and do patrons need to do anything to keep it that way?

CD:  The Art Center is extremely proud to offer free admission, thanks to our donors, both corporate and individual, and to the foundations that help support this mission. Not only is admission always free (with the exception of a few special events), we have free lectures, gallery talks, films, and community days. In many cities, museums only offer free admission to members, which is the main incentive to become a member in those cases, but for the Art Center, our members ensure free admission for all. Admission is free at the Pappajohn Sculpture Park as well.


 



PTF:  Education is a huge part of the Des Moines Art Center.  Can you tell us about some of the extra activities that the Des Moines Art Center offers up?  

CD:  Not only do we offer classes and scholarships to all ages and all skill levels in many media (including drawing, painting, printmaking, cartooning, jewelry-making, ceramics, etc.), we also strive to make the artwork we present more meaningful by providing multi-faceted programming including films (artists’ choice or chosen by the Education department), artist lectures, scholar lectures, gallery talks with curators, audio and cell phone tours, docent-led tours, and gallery guides. We also offer free guided tours to every fourth-grade student in the local five-district area (we cover transportation for them as well).


 



PTF:  I have always wondered how often the Des Moines Art Center seeks out new pieces for the permanent collection?

CD:  We have an acquisition team that is made up of Art Center supporters, board members, and staff that work with curators and the director to decide what is needed for the collection and what will enhance the collection.
 


PTF:  Who is the most inspiring artist to you, ever? And why?
CD:  Not that I am able to choose just one, but we had a one-person exhibition here last fall with San Antonio artist Dario Robleto, titled Survival Does Not Lie In The Heavens. Dario’s work focuses on extinction, longevity, and memories, and is made up of materials such as love letters, human tears, fossils, audio tape, and amber. The work is truly poetic and inspired me to reflect on mortality, responsibility, and relationships.

 PTF Note: Dario Robleto did the artwork to one of my favorite bands most recent albums.. I had no idea who he was.  Thanks Christine.
A huge thanks to Christine Doolittle and everyone from the Des Moines Art Center  for providing a place of pure inspiration for anyone to discover! 
For more information check out.
http://www.desmoinesartcenter.org/

Destination Inspiration - Talking with Christine Doolittle of the Des Moines Art Center 

Where do you go to get inspired?  Do you take long walks in the countryside, read Shakespeare, or turn on a record?  In your daily life of sleep, eat, and work, sometimes you need to take a breather and go someplace where you allow yourself to be overcome by inspiration.  It’s makes you think, react, and do things that inspire others to make the world a better place. 

When I need a jolt of inspiration I like to spend an afternoon in the Des Moines Art Center or take a run through the Pappajohn Sculpture Park.  Today we go behind the scenes and talk to the Des Moines Art Center’s Director of Marketing and Public Relations, Christine Doolittle.


Patrick Tape Fleming:  Whenever I need a quick blast of inspiration, I head to the Des Moines Art Center.  Can you describe how working in such a creative environment affects your work day?

Christine Doolittle:  Every day at the Art Center is different, from preparing for exhibitions, to working on the website, to the most exciting part of our jobs: meeting the artists. Also, it’s inspiring to walk through the galleries and see new work installed every day. Many people think the permanent galleries remain constant, but much to the contrary, our installations team rotates out works of art on a regular basis. I was just in the lower section of the Richard Meier building the other day and saw one of our newest acquisitions hanging, the Mark Grotjahn drawing, which up until that point, I had only seen in pictures. It’s stunning. (It’s also on the cover of our latest newsletter.)

 

PTF:  The Des Moines Art Center is free for everyone, which is incredible.  Can you explain why that is, and do patrons need to do anything to keep it that way?

CD:  The Art Center is extremely proud to offer free admission, thanks to our donors, both corporate and individual, and to the foundations that help support this mission. Not only is admission always free (with the exception of a few special events), we have free lectures, gallery talks, films, and community days. In many cities, museums only offer free admission to members, which is the main incentive to become a member in those cases, but for the Art Center, our members ensure free admission for all. Admission is free at the Pappajohn Sculpture Park as well.

 

PTF:  Education is a huge part of the Des Moines Art Center.  Can you tell us about some of the extra activities that the Des Moines Art Center offers up?  

CD:  Not only do we offer classes and scholarships to all ages and all skill levels in many media (including drawing, painting, printmaking, cartooning, jewelry-making, ceramics, etc.), we also strive to make the artwork we present more meaningful by providing multi-faceted programming including films (artists’ choice or chosen by the Education department), artist lectures, scholar lectures, gallery talks with curators, audio and cell phone tours, docent-led tours, and gallery guides. We also offer free guided tours to every fourth-grade student in the local five-district area (we cover transportation for them as well).

 

PTF:  I have always wondered how often the Des Moines Art Center seeks out new pieces for the permanent collection?

CD:  We have an acquisition team that is made up of Art Center supporters, board members, and staff that work with curators and the director to decide what is needed for the collection and what will enhance the collection.

 

PTF:  Who is the most inspiring artist to you, ever? And why?

CD:  Not that I am able to choose just one, but we had a one-person exhibition here last fall with San Antonio artist Dario Robleto, titled Survival Does Not Lie In The Heavens. Dario’s work focuses on extinction, longevity, and memories, and is made up of materials such as love letters, human tears, fossils, audio tape, and amber. The work is truly poetic and inspired me to reflect on mortality, responsibility, and relationships.

 PTF Note: Dario Robleto did the artwork to one of my favorite bands most recent albums.. I had no idea who he was.  Thanks Christine.

A huge thanks to Christine Doolittle and everyone from the Des Moines Art Center  for providing a place of pure inspiration for anyone to discover! 

For more information check out.

http://www.desmoinesartcenter.org/

June 22, 2012





Cory Schmitz and Ryan Peterson bringing it all back home!
If you re-build it they will come… Reshaping an event that has a long history in your community can sound like quite the daunting task.  But great things can happen, With a Little Help From Your Friends. 
Ankeny Unplugged was started years ago by the city of Ankeny, Iowa as a way for the community to come together to listen to live music, have a few drinks, and have some fun.
A couple years back Cory Schmitz and Ryan Peterson with the help of the nonprofit Ankeny Jaycees Junior chamber  took over the event and gave it the face lift it needed.  Now every Saturday in June, Wagner Park in Ankeny, IA is the place to be in central Iowa for live music, crafts, food, and all around family fun.
I’m lucky enough to be participating in the final week of the on going festival and I have been so impressed with the work and promotion Cory and Ryan have put into this event!  It’s really inspiring what they have done for the community they live in.  
Both Cory and Ryan took time out of their crazy schedules to talk about Ankeny Unplugged. 

Patrick Tape Fleming:  First could you let us know what you are doing when you are not promoting this amazing concert series you started?


Cory Schmitz:  I work full time in Ames as an embedded software engineer and have way too many hobbies on the side. My family, music, astronomy, computers, photography, and other forms of generic nerdery fill in the gaps. Too much, really.




Ryan Peterson:  I work full time as a graphic designer by day, but also have a 2 year old son, which is kind of like a second full time job but with less sitting and more toy cars.




Patrick:  What was the inspiration to create Ankeny Unplugged? 



Cory: Ankeny Unplugged was slowly suffering prior to 2011 and they were going to let it die, so I stepped in and asked for the opportunity to re-invent it. That’s how it turned into a real music festival-style series. Original music and art has always been really important to me and has been something I always thought was lacking in Ankeny. Ryan and I decided to try and change that for ourselves. It’s a little self-serving in that way, because we happen to fit the demographic we try to attract. It’s a ton of volunteer work, but it’s so worth it when we see people giving the artists their attention at the events and then posting positive and exciting things on social networking sites about their experience. I get emotional sometimes when I thank people for appreciating it. 








Ryan: The inspiration to change Ankeny Unplugged was Cory’s, he asked me to get involved with the Jaycees and AU because I had some experience with booking and design for music events. He sealed the deal with his enthusiasm and promise of free beer. I think music means a lot to both of us, so it’s a fun endeavor.

Patrick:  With Des Moines’ and Ames’ music scenes booming does Ankeny feel like the middle brother who never get’s any attention? 



Cory: Not at all. I have always felt like Ankeny is just another suburb of Des Moines. It’s just as easy to get here as it is to get to WDM, Altoona, Johnston, etc. Ankeny’s problem is there aren’t many venues for original bands to play, so we are trying to change that, at least for a few weeks in the summer.






Ryan: I don’t think of Ankeny as a middle brother to those scenes. More like a Cousin Oliver. It’s new, and adds a little pep to an already vibrant music scene.







Patrick:  Let us know how businesses and crafters could maybe get involved for next years event?


Cory: Artists, crafters, and other people interested in the market should keep an eye on our website, Twitter, and Facebook accounts in the first half of the year. We announce heavily on those mediums. Other businesses who are interested in sponsorship or partnering with us can contact us at any time. Really though, anybody with an idea is welcome to suggest it! 










Ryan: We would love the support. Brand savvy businesses should recognize this as a opportunity to communicate to young professionals and families at an event whose proceeds go back into the community.





Patrick:  If you could have any artist play Ankeny Unplugged who would it be?


Cory: That’s a big question. Anybody, like national touring act? Spoon or The Black Keys. Somebody that would make more sense financially and could actually happen someday, maybe? Reverend Peyton’s Big Damn Band. But I think our lineup has been amazing. I’ve been looking forward to hearing these bands in our park all spring and summer. That’s the thing, we try and book bands we like, can afford, and have wide appeal.

Ryan: Paul Westerberg. Glen Hansard. Neko Case. Some solo act so completely cool that they have no business playing in Ankeny. Maybe in 5 years people will look at the bands that played AU this year and be really impressed that we got them before they hit it big. The main hope in booking this series is that you expose people to great local and regional talent that they might not know is out there.















A huge thanks to Cory and Ryan for talking with me today and for inspiring extraordinary performances by reshaping an event that benefits so many different people in the community they live in!  Great work guys! See you on Saturday in the park!

For more info on Ankeny Unplugged check out
http://ankenyunplugged.com/

Cory Schmitz and Ryan Peterson bringing it all back home!

If you re-build it they will come… Reshaping an event that has a long history in your community can sound like quite the daunting task.  But great things can happen, With a Little Help From Your Friends. 

Ankeny Unplugged was started years ago by the city of Ankeny, Iowa as a way for the community to come together to listen to live music, have a few drinks, and have some fun.

A couple years back Cory Schmitz and Ryan Peterson with the help of the nonprofit Ankeny Jaycees Junior chamber  took over the event and gave it the face lift it needed.  Now every Saturday in June, Wagner Park in Ankeny, IA is the place to be in central Iowa for live music, crafts, food, and all around family fun.

I’m lucky enough to be participating in the final week of the on going festival and I have been so impressed with the work and promotion Cory and Ryan have put into this event!  It’s really inspiring what they have done for the community they live in.  

Both Cory and Ryan took time out of their crazy schedules to talk about Ankeny Unplugged. 


Patrick Tape Fleming:  First could you let us know what you are doing when you are not promoting this amazing concert series you started?

Cory Schmitz:  I work full time in Ames as an embedded software engineer and have way too many hobbies on the side. My family, music, astronomy, computers, photography, and other forms of generic nerdery fill in the gaps. Too much, really.

Ryan Peterson:  I work full time as a graphic designer by day, but also have a 2 year old son, which is kind of like a second full time job but with less sitting and more toy cars.


Patrick:  What was the inspiration to create Ankeny Unplugged? 

Cory: Ankeny Unplugged was slowly suffering prior to 2011 and they were going to let it die, so I stepped in and asked for the opportunity to re-invent it. That’s how it turned into a real music festival-style series. Original music and art has always been really important to me and has been something I always thought was lacking in Ankeny. Ryan and I decided to try and change that for ourselves. It’s a little self-serving in that way, because we happen to fit the demographic we try to attract. It’s a ton of volunteer work, but it’s so worth it when we see people giving the artists their attention at the events and then posting positive and exciting things on social networking sites about their experience. I get emotional sometimes when I thank people for appreciating it. 

Ryan: The inspiration to change Ankeny Unplugged was Cory’s, he asked me to get involved with the Jaycees and AU because I had some experience with booking and design for music events. He sealed the deal with his enthusiasm and promise of free beer. I think music means a lot to both of us, so it’s a fun endeavor.


Patrick:  With Des Moines’ and Ames’ music scenes booming does Ankeny feel like the middle brother who never get’s any attention? 

Cory: Not at all. I have always felt like Ankeny is just another suburb of Des Moines. It’s just as easy to get here as it is to get to WDM, Altoona, Johnston, etc. Ankeny’s problem is there aren’t many venues for original bands to play, so we are trying to change that, at least for a few weeks in the summer.
Ryan: I don’t think of Ankeny as a middle brother to those scenes. More like a Cousin Oliver. It’s new, and adds a little pep to an already vibrant music scene.


Patrick:  Let us know how businesses and crafters could maybe get involved for next years event?

Cory: Artists, crafters, and other people interested in the market should keep an eye on our website, Twitter, and Facebook accounts in the first half of the year. We announce heavily on those mediums. Other businesses who are interested in sponsorship or partnering with us can contact us at any time. Really though, anybody with an idea is welcome to suggest it! 

Ryan: We would love the support. Brand savvy businesses should recognize this as a opportunity to communicate to young professionals and families at an event whose proceeds go back into the community.


Patrick:  If you could have any artist play Ankeny Unplugged who would it be?

Cory: That’s a big question. Anybody, like national touring act? Spoon or The Black Keys. Somebody that would make more sense financially and could actually happen someday, maybe? Reverend Peyton’s Big Damn Band. But I think our lineup has been amazing. I’ve been looking forward to hearing these bands in our park all spring and summer. That’s the thing, we try and book bands we like, can afford, and have wide appeal.

Ryan: Paul Westerberg. Glen Hansard. Neko Case. Some solo act so completely cool that they have no business playing in Ankeny. Maybe in 5 years people will look at the bands that played AU this year and be really impressed that we got them before they hit it big. The main hope in booking this series is that you expose people to great local and regional talent that they might not know is out there.

A huge thanks to Cory and Ryan for talking with me today and for inspiring extraordinary performances by reshaping an event that benefits so many different people in the community they live in!  Great work guys! See you on Saturday in the park!

For more info on Ankeny Unplugged check out

June 11, 2012
“Don’t doubt what can be accomplished; be a part of it.” 
Danny Heggen always has a creative project going on that betters the community around him.  I think this is truly important for everyone in life.  We need things that we can put our whole hearts into, set goals, and strive for them.  Something that not only helps others around us, but makes us feel better about ourselves.  Take a moment to think about what and how you could create a better community around you - by volunteering, helping a friend? Or more?  
Today I’m excited to chat with Danny Heggen of Des Moines, Iowa - one of the hardest working people I know. 
(Patrick Tape Fleming)
Before we get into all your projects tell us what you do for a day job, and if you consider it a day job?
(Danny Heggen)
By day I am a youth program coordinator for the nonprofit Community Youth Concepts in Des Moines. I run after-school and outside-of-school programs based around volunteer service. Basically, what I do is jumpstart service projects. Working with groups that don’t know how to get started on service, I facilitate planning sessions to develop projects based off activities the youth enjoy doing (like playing video games or making stuff out of duct tape) and then figure out how to turn those activities into community service. One of my favorite recent projects was making duct tape wallets for a homeless shelter in Des Moines (Central Iowa Shelter & Services). The shelter was pumped, and I got to learn how to make these during the process. I absolutely love it. I get to work with the community. I get to be creative. And working with youth is so random and fun. I’ve been doing this for a couple years now, so it seems that it’s more than a day job. What I want to do with my life is a constant question. I am passionate about working with young people, music, and writing. And the harder I work on each of these, the answer becomes a bit clearer: I need and want to do something with my life that allows creativity, purpose, and working with my community. What that is exactly, I don’t know. The fun part is trying to find the balance in all these, as well as being in love with my wife.

PTF:  You edited the book From a Growing Community, Iowa’s Homeless Youth, To date, From a Growing Community has been taught at four local colleges and universities around Iowa and helped to raise more than $40,000 for Youth & Shelter Services, Inc. Tell us how you got involved with the project and how you achieved such success with it?
DH: I started that project after working with imprisoned women in Perth, Australia for a year, which resulted in my first published book, Voices on the Inside: the Women of Boronia. Coming home in 2007, I knew I wanted to replicate that process and see what I could do. I got to work in 2008 researching youth homelessness in Des Moines — something I’d learned about through Reggie’s Sleep Out, an event organized by Iowa Homeless Youth Centers. After spending a few months volunteering in shelters around Des Moines and Ames, I left a letter at the shelters about myself and asked staff to give them to youth who came through to receive services. In the letter, I asked youth to respond, and that’s why the book ended up being a collection of letters. Throughout all that, I had moved into Des Moines and got connected with a great group of people, including Justin Norman, a graphic and website designer. He signed onto the project, and we expanded his company, Shrieking Tree, into a publishing company. It was an incredible learning experience. The issue of youth homelessness is intimidating, which, I believe, is why most people don’t even begin to think about it. So the main thing I wanted the book to do was make the issue accessible and approachable. If I could draw someone in to pick it up and read one story, I knew it would impact their worldview. I wanted each reader to ask, “What can I do to help?” My real lesson, however, was in marketing and advertising. It was the night of the book release that I realized we’d produced this resource for the community, but that in-and-of-itself was not enough. I could create the most beautiful thing in the world, but that truly is the easy part. The hard part is getting the people around you to see that beauty, too. In short, producing something only gets you to the base of the mountain. The work begins at that point. Which kind of sucks. But also makes me believe in the power of community. I started saying, “Don’t doubt what can be accomplished; be a part of it.” That’s what makes sense. I love supporting people. And I love asking people for their support. I want everyone around me to be successful. And I hope everyone wants the same of me. All that achieved was due to the people who helped me move forward, which was often one person at a time. (Sorry, that was a novel.)

PTF:  We are pretty lucky to live in Iowa, such a star on the political map. Back in 2004 my band got to play with Max Wineberg of the E-Street Band at a political rally. Your band the Seedlings recently opened for the real BOSS, President Barak Obama. Describe how you felt when you got that call to open for President Obama.
DH:  Ryan Stier, one of my best friends who plays in Seedlings as well as leads The River Monks, said it best: “I could pick up and take the music I make anywhere in the world. Portland, LA, Austin, Nashville, New York. These are all very great places, and I have the utmost respect for anyone who does. But me, I prefer Des Moines.” His statement stemmed from the fact that this kind of opportunity is probably only possible for a band our size in Des Moines. We’ve been playing together for 4 years now, but it still feels like we’re just getting out of the starting blocks. When I got the call from the Obama for Iowa staff, I couldn’t believe what they were asking. It was only a week before the event, and we had 5 hours to confirm and get them all our information — they needed to do background checks and lyrics to our songs. The hardest part was keeping it quiet for 5 days. I told my office (because I had to take the afternoon off) and I told my family. But otherwise, it was all under the radar until the Tuesday before the event. It was pretty cool taking calls from Washington D.C. from Obama’s official event staff. And when we got there to set up the night before the event, the whole staff came up and was like, “It’s so great to meet you! We love your music.” And we were all kind of stunned — the honor truly was ours. So we did our best to play it cool. And we didn’t get to meet the president as a band, but I did shake his hand after the event. The staff informed me that he was also briefed on us prior to that event. That works for me!

PTF:  You’re writing and researching a book called, I Could Do That - How I survived Planning a DIY Wedding. What are the top 3 challenges you had to over come while planning your own DIY Wedding? And how did you over come them?
DH:  Oh man. 
1. I didn’t know I was supposed to be overwhelmed. At first, I was like, “All right! We’re engaged. Next step marriage.” Turns out there’s a lot to think about (everything….you have to think about everything). To overcome this, the important part was figuring out which tasks I could be in charge of. I took charge of the music, scheduling with vendors, and running 2nd errands — which means I ran back out when we didn’t get the right thing the first time. 
2. I like to say, “It’s not that I didn’t care. It’s just that I didn’t care that much.” I wanted Katy, my wife, to be happy with everything — from the flowers to the music. To do this, we decided that our wedding needed to be “us.” Which meant 3 things: great music, great food and drinks, and great people. To overcome this, I literally had to join them, as in “If you can’t beat them, join them.” Wedding planning exists in its own (huge) world. Regardless of how hard I fought joining this madness, joining was the only option to actually get work done. 
3. I’m not a direct person. Katy is. And I love that about her. It was a great opportunity to work together. She had to learn how to get me to not be indirect, and I had to learn how to be direct (see what I did there?). To overcome this, I honestly had to think about whatever it was we were working on and form an opinion of it — which means I couldn’t just be apathetic to the whole process. In short, I had to care, which wasn’t that hard to do. I just needed a reminder. The greatest thing about being married? Not wedding planning.

PTF: You are always working on new projects that help the community we live in. What inspires you to make a difference in the world?
DH:  I genuinely care about the people who surround me. As I said before, I want everyone around me to be successful. And I hope people want me to be successful as well. There is no greater feeling than supporting a friend in what they’re doing. I think about how I can help them and then do my best to follow through with those actions. Whether it’s connecting someone to the right network or helping them think about what they’re doing to make it more effective, I love figuring out how to help people move forward. I do consulting with artists and nonprofits (get in touch with me if you’re interested: @dannyheggen or email). I see my writing as a way to educate others about the world around us and how we can be involved in the solution. And I see my music as a way to emotionally connect to experiences we all go through from love and happiness to heartbreak and sorrow. It’s all about opportunities — taking them and providing them. Our role changes between each of these, and it’s important to recognize this. If you need an opportunity, ask. If you can provide an opportunity, reach out.

Danny thanks so much for talking with me today!  Your hard work and big heart are truly inspiring.  Keep up the good work!
For more information on Danny and his many projects visit these links.
http://dannyheggen.tumblr.com/  Tumblr
http://31tipsfordsm.tumblr.com/  31 Tips for Des Moines Blog
http://seedlingsmusic.tumblr.com/  Seedlings Band Page

“Don’t doubt what can be accomplished; be a part of it.” 

Danny Heggen always has a creative project going on that betters the community around him.  I think this is truly important for everyone in life.  We need things that we can put our whole hearts into, set goals, and strive for them.  Something that not only helps others around us, but makes us feel better about ourselves.  Take a moment to think about what and how you could create a better community around you - by volunteering, helping a friend? Or more?  

Today I’m excited to chat with Danny Heggen of Des Moines, Iowa - one of the hardest working people I know. 

(Patrick Tape Fleming)

Before we get into all your projects tell us what you do for a day job, and if you consider it a day job?

(Danny Heggen)

By day I am a youth program coordinator for the nonprofit Community Youth Concepts in Des Moines. I run after-school and outside-of-school programs based around volunteer service. Basically, what I do is jumpstart service projects. Working with groups that don’t know how to get started on service, I facilitate planning sessions to develop projects based off activities the youth enjoy doing (like playing video games or making stuff out of duct tape) and then figure out how to turn those activities into community service. One of my favorite recent projects was making duct tape wallets for a homeless shelter in Des Moines (Central Iowa Shelter & Services). The shelter was pumped, and I got to learn how to make these during the process. I absolutely love it. I get to work with the community. I get to be creative. And working with youth is so random and fun. I’ve been doing this for a couple years now, so it seems that it’s more than a day job. What I want to do with my life is a constant question. I am passionate about working with young people, music, and writing. And the harder I work on each of these, the answer becomes a bit clearer: I need and want to do something with my life that allows creativity, purpose, and working with my community. What that is exactly, I don’t know. The fun part is trying to find the balance in all these, as well as being in love with my wife.


PTF:  You edited the book From a Growing Community, Iowa’s Homeless Youth, To date, From a Growing Community has been taught at four local colleges and universities around Iowa and helped to raise more than $40,000 for Youth & Shelter Services, Inc. Tell us how you got involved with the project and how you achieved such success with it?

DH: I started that project after working with imprisoned women in Perth, Australia for a year, which resulted in my first published book, Voices on the Inside: the Women of Boronia. Coming home in 2007, I knew I wanted to replicate that process and see what I could do. I got to work in 2008 researching youth homelessness in Des Moines — something I’d learned about through Reggie’s Sleep Out, an event organized by Iowa Homeless Youth Centers. After spending a few months volunteering in shelters around Des Moines and Ames, I left a letter at the shelters about myself and asked staff to give them to youth who came through to receive services. In the letter, I asked youth to respond, and that’s why the book ended up being a collection of letters. Throughout all that, I had moved into Des Moines and got connected with a great group of people, including Justin Norman, a graphic and website designer. He signed onto the project, and we expanded his company, Shrieking Tree, into a publishing company. It was an incredible learning experience. The issue of youth homelessness is intimidating, which, I believe, is why most people don’t even begin to think about it. So the main thing I wanted the book to do was make the issue accessible and approachable. If I could draw someone in to pick it up and read one story, I knew it would impact their worldview. I wanted each reader to ask, “What can I do to help?” My real lesson, however, was in marketing and advertising. It was the night of the book release that I realized we’d produced this resource for the community, but that in-and-of-itself was not enough. I could create the most beautiful thing in the world, but that truly is the easy part. The hard part is getting the people around you to see that beauty, too. In short, producing something only gets you to the base of the mountain. The work begins at that point. Which kind of sucks. But also makes me believe in the power of community. I started saying, “Don’t doubt what can be accomplished; be a part of it.” That’s what makes sense. I love supporting people. And I love asking people for their support. I want everyone around me to be successful. And I hope everyone wants the same of me. All that achieved was due to the people who helped me move forward, which was often one person at a time. (Sorry, that was a novel.)


PTF:  We are pretty lucky to live in Iowa, such a star on the political map. Back in 2004 my band got to play with Max Wineberg of the E-Street Band at a political rally. Your band the Seedlings recently opened for the real BOSS, President Barak Obama. Describe how you felt when you got that call to open for President Obama.

DH:  Ryan Stier, one of my best friends who plays in Seedlings as well as leads The River Monks, said it best: “I could pick up and take the music I make anywhere in the world. Portland, LA, Austin, Nashville, New York. These are all very great places, and I have the utmost respect for anyone who does. But me, I prefer Des Moines.” His statement stemmed from the fact that this kind of opportunity is probably only possible for a band our size in Des Moines. We’ve been playing together for 4 years now, but it still feels like we’re just getting out of the starting blocks. When I got the call from the Obama for Iowa staff, I couldn’t believe what they were asking. It was only a week before the event, and we had 5 hours to confirm and get them all our information — they needed to do background checks and lyrics to our songs. The hardest part was keeping it quiet for 5 days. I told my office (because I had to take the afternoon off) and I told my family. But otherwise, it was all under the radar until the Tuesday before the event. It was pretty cool taking calls from Washington D.C. from Obama’s official event staff. And when we got there to set up the night before the event, the whole staff came up and was like, “It’s so great to meet you! We love your music.” And we were all kind of stunned — the honor truly was ours. So we did our best to play it cool. And we didn’t get to meet the president as a band, but I did shake his hand after the event. The staff informed me that he was also briefed on us prior to that event. That works for me!


PTF:  You’re writing and researching a book called, I Could Do That - How I survived Planning a DIY Wedding. What are the top 3 challenges you had to over come while planning your own DIY Wedding? And how did you over come them?

DH:  Oh man.

1. I didn’t know I was supposed to be overwhelmed. At first, I was like, “All right! We’re engaged. Next step marriage.” Turns out there’s a lot to think about (everything….you have to think about everything). To overcome this, the important part was figuring out which tasks I could be in charge of. I took charge of the music, scheduling with vendors, and running 2nd errands — which means I ran back out when we didn’t get the right thing the first time.

2. I like to say, “It’s not that I didn’t care. It’s just that I didn’t care that much.” I wanted Katy, my wife, to be happy with everything — from the flowers to the music. To do this, we decided that our wedding needed to be “us.” Which meant 3 things: great music, great food and drinks, and great people. To overcome this, I literally had to join them, as in “If you can’t beat them, join them.” Wedding planning exists in its own (huge) world. Regardless of how hard I fought joining this madness, joining was the only option to actually get work done.

3. I’m not a direct person. Katy is. And I love that about her. It was a great opportunity to work together. She had to learn how to get me to not be indirect, and I had to learn how to be direct (see what I did there?). To overcome this, I honestly had to think about whatever it was we were working on and form an opinion of it — which means I couldn’t just be apathetic to the whole process. In short, I had to care, which wasn’t that hard to do. I just needed a reminder. The greatest thing about being married? Not wedding planning.


PTF: You are always working on new projects that help the community we live in. What inspires you to make a difference in the world?

DH:  I genuinely care about the people who surround me. As I said before, I want everyone around me to be successful. And I hope people want me to be successful as well. There is no greater feeling than supporting a friend in what they’re doing. I think about how I can help them and then do my best to follow through with those actions. Whether it’s connecting someone to the right network or helping them think about what they’re doing to make it more effective, I love figuring out how to help people move forward. I do consulting with artists and nonprofits (get in touch with me if you’re interested: @dannyheggen or email). I see my writing as a way to educate others about the world around us and how we can be involved in the solution. And I see my music as a way to emotionally connect to experiences we all go through from love and happiness to heartbreak and sorrow. It’s all about opportunities — taking them and providing them. Our role changes between each of these, and it’s important to recognize this. If you need an opportunity, ask. If you can provide an opportunity, reach out.



Danny thanks so much for talking with me today!  Your hard work and big heart are truly inspiring.  Keep up the good work!

For more information on Danny and his many projects visit these links.

http://dannyheggen.tumblr.com/  Tumblr

http://31tipsfordsm.tumblr.com/  31 Tips for Des Moines Blog

http://seedlingsmusic.tumblr.com/  Seedlings Band Page

May 31, 2012
On the eve of Daytrotter’s 2,000th session, I talk to the man behind this ground breaking website that has been inspiring extraordinary performances and documenting music history since 2006.  I met Sean Moeller about 10 years ago, a skinny tall kid going to the University of Iowa who liked to run, play music and most importantly, write about it.
Sean and I hit it off right away as we shared a love for similar music and art in general.  Little did I know that he would spark one of the most creative websites in the world today, combining spontaneous analog recordings of bands playing live in the Daytrotter studio, having the amazing Johnnie Cluney illustrate the artist, and then Sean puts the finishing touches on it by writing a feature article about the artist and the session.  Portions of this formula have been copied by many websites, but to no avail.  No one in the music industry today is preserving the history of music that is NOW, like Sean Moeller.  
(Patrick Tape Fleming) Congrats on your 2000 Daytrotter session.  Did you ever think when the first one went up, it would get this far? 

(Sean Moeller)  Seems to me that most people, including myself, would have thought me extremely silly to have thought such a thing way back in early 2006. We were posting one session a week for months, slowly moving up to two a week and venturing to three-a-week. Now we’re posting five-a-day. It went from a project of leisure to one of unreal madness. But, it took it’s time getting there.



PTF: How has Daytrotter changed your life?


SM: My life’s nothing like it used to be. It’s changed my life as dramatically as having three children has. It’s turned my life into something both relatively predictable and ordered and utter chaos, exciting spontaneity all at once. I really couldn’t be happier with how it’s changed my life. I’ve been able to create my dream job. It’s a dream job that literally consumes 18 hours of my every day and I haven’t had a vacation day in almost seven years, but most people don’t hear me complain much, cause I’d just come off as an ass. 



PTF: Do you still get inspired to write about every single band that comes through? 

SM: It would be too long of an answer for this space. The short answer is: sorta. My brains have started to really hurt in the last 8-9 months and I recognize the signs of something needing to give because the creative spark is flickering some. Nothing’s changed my excitement to listen to every band we tape. They’re all personally invited by me and I still remain charged up to find things that get me going, but the words have been getting clogged up some. There are good days and bad days. I’m trying to figure out a slightly altered path to the end result. Nothing’s taken hold for me yet, but it feels like I’m either going to have to let myself go completely crazy, or change how I do things some.  

PTF: What have been the 3 most inspiring sessions you have recorded? 
SM: I would say Glen Campbell, Fleet Foxes and Jimmy Cliff. Those were exceptional experiences and yet, I’m leaving out hundreds that are tied with those.




PTF: Whats your ultimate goal with Daytrotter, where do you see yourself in 2030?
SM: Oh man. That’s forever from now. I just hope to be reading more books and listening to more vinyl than I get to these days. Hopefully I’ll be watching my kids playing on the PGA and LPGA Tours. Really, I just want to keep doing good and inspired things for great art and artists as long as I possibly can. If I do that, I’ll be a happy camper.



Sean you truly inspire extraordinary performance, for that I salute you!  I’m honored that the first interview on this blog is with such an incredibly great friend and inspiring person.  Thanks Sean and congrats on the first 2,000. We’ll be listening, looking, and reading for years to come.

Check out www.daytrotter.com for thousands of extraordinary musical performances, writings, and art!

On the eve of Daytrotter’s 2,000th session, I talk to the man behind this ground breaking website that has been inspiring extraordinary performances and documenting music history since 2006.  I met Sean Moeller about 10 years ago, a skinny tall kid going to the University of Iowa who liked to run, play music and most importantly, write about it.

Sean and I hit it off right away as we shared a love for similar music and art in general.  Little did I know that he would spark one of the most creative websites in the world today, combining spontaneous analog recordings of bands playing live in the Daytrotter studio, having the amazing Johnnie Cluney illustrate the artist, and then Sean puts the finishing touches on it by writing a feature article about the artist and the session.  Portions of this formula have been copied by many websites, but to no avail.  No one in the music industry today is preserving the history of music that is NOW, like Sean Moeller.  

(Patrick Tape Fleming) Congrats on your 2000 Daytrotter session.  Did you ever think when the first one went up, it would get this far? 
(Sean Moeller)  Seems to me that most people, including myself, would have thought me extremely silly to have thought such a thing way back in early 2006. We were posting one session a week for months, slowly moving up to two a week and venturing to three-a-week. Now we’re posting five-a-day. It went from a project of leisure to one of unreal madness. But, it took it’s time getting there.

PTF: How has Daytrotter changed your life?
SM: My life’s nothing like it used to be. It’s changed my life as dramatically as having three children has. It’s turned my life into something both relatively predictable and ordered and utter chaos, exciting spontaneity all at once. I really couldn’t be happier with how it’s changed my life. I’ve been able to create my dream job. It’s a dream job that literally consumes 18 hours of my every day and I haven’t had a vacation day in almost seven years, but most people don’t hear me complain much, cause I’d just come off as an ass. 

PTF: Do you still get inspired to write about every single band that comes through? 
SM: It would be too long of an answer for this space. The short answer is: sorta. My brains have started to really hurt in the last 8-9 months and I recognize the signs of something needing to give because the creative spark is flickering some. Nothing’s changed my excitement to listen to every band we tape. They’re all personally invited by me and I still remain charged up to find things that get me going, but the words have been getting clogged up some. There are good days and bad days. I’m trying to figure out a slightly altered path to the end result. Nothing’s taken hold for me yet, but it feels like I’m either going to have to let myself go completely crazy, or change how I do things some.  
PTF: What have been the 3 most inspiring sessions you have recorded? 
SM: I would say Glen Campbell, Fleet Foxes and Jimmy Cliff. Those were exceptional experiences and yet, I’m leaving out hundreds that are tied with those.

PTF: Whats your ultimate goal with Daytrotter, where do you see yourself in 2030?
SM: Oh man. That’s forever from now. I just hope to be reading more books and listening to more vinyl than I get to these days. Hopefully I’ll be watching my kids playing on the PGA and LPGA Tours. Really, I just want to keep doing good and inspired things for great art and artists as long as I possibly can. If I do that, I’ll be a happy camper.

Sean you truly inspire extraordinary performance, for that I salute you!  I’m honored that the first interview on this blog is with such an incredibly great friend and inspiring person.  Thanks Sean and congrats on the first 2,000. We’ll be listening, looking, and reading for years to come.
Check out www.daytrotter.com for thousands of extraordinary musical performances, writings, and art!