July 11, 2012

Talking with the 80/35 Music Festival’s MVP— Derek Lambert



One of my all time favorite quotes is from Major League Baseball Hall Of Famer, Ernie Banks.  The quote goes, “Let’s Play Two.”  Meaning he loved baseball so much he always wanted to play a double header.  Not bad for a guy who never made it to a World Series.  

Now for an Iowa band, the World Series of Iowa shows has to be the 80/35 Music Festival.  Celebrating it’s 5th and most successful year this past weekend in downtown Des Moines.  One person had a day that would truly have inspired even a great like Ernie Banks!




Des Moines musician Derek Lambert played 5 shows with 5 different bands on Saturday.  
At noon he fronted his intense and melodic band, Derek Lambert and the Prairie Fires.
Then at 1:30 he played bass with the show stopping theater of Christopher the Conquered.  
Then at 7pm played drums for the wonder that is Leslie and the Ly’s. 
Then at 11pm played more drums for the debut performance of the punk rocking PURE GUT.
Then at Midnight, 12 hours after he strummed the first chord of the day he played bass for the Poison Control Center.


So lets do the math 5 shows, 3 different instruments, 4 different stages, 12 hours, all in a 105 degree heat index!  I have never experienced watching anything like it.  Now that he has had a day off lets talk with the MVP of 80/35!



Patrick Tape Fleming:  Your epic rock n roll day started at noon with your band, Derek Lambert and The Prairie Fires.  Was the day less stressful to get the big one out of the way first?


Derek Lambert:  Definitely.  For me, it is a totally different experience to play a backing instrument in a band than it is to sing and play my own songs. I don’t get nervous at all for most of the bands I’m in, but there is still a sense of vulnerability that I feel when performing my own songs and it can be nerve racking. So yes, it was very relieving to get that one out of the way first. 







PTF:  The Heat index was 105 degrees. How did you keep cool when you were not playing, moving equipment, or changing outfits for all the performances? 


DL:  I usually didn’t. But I chugged as much water as I could physically dump into my body and then poured the rest on my head. And at one point in the day, when I’d had too much heat, I left with my friends Dustin and Hannah to take a half hour nap in the air conditioning, which was a huge help. 





PTF:  How many practices did you put in preparing for 5 different shows, on 3 different instruments for 80/35? 


DL:  I would say I probably had about 10 band practices over the past few weeks. The peak of it was probably last week when you and I had back-to-back band practices totaling over 5 hours worth of rocking in the heat of my ill-ventilated basement. 







PTF:  You and Chris Ford are roommates and play in each other’s bands.  Is he usually the first person you show new songs and vice versa?


DL:  I definitely hear him playing most of his new songs around the house as they develop, so I believe I am usually among the first to hear them (which is awesome). I tend to be a little more private when I write songs, so I like to finish them and then I’ll show them to my band… which includes Chris, so I guess he is one of the first people to hear mine as well.





PTF:  Your dad was at all 5 of your shows on Saturday, how big of influence have your parents been on your music career? 


DL:  My parents are hugely supportive of anything that I want to do, so that is obviously very influential to somebody who wants to opt out of college in order to run sound at a music venue and occasionally travel the country playing music. They come to every one of my shows that they are able to, and they love everything that I do (or at least they tell me they do). I could never overestimate the value of that support.


PTF:  If you had one magical dream day where you could play with any 5 bands ever who would they be and why?
DL:  12pm. Fugazi - kick off the day with one of the most intense live bands ever, we’d blast the sleep right out of your eyes
1:30pm. Doc Watson & myself - I’d enjoy the afternoon sun by embellishing my love for the acoustic guitar with one of the greatest players of all time-lunch and nap break-7pm. Tom Waits - I would be down for whatever he wants to do, and it would be amazing11pm. The Monks - one of the most daring, inventive, and fun bands of the 1960s, it would be a blast to perform with them12am. The Poison Control Center - the greatest band to ever come out of my home state, I wouldn’t trade that reality for fantasy.












Derek thanks so much for talking to me, playing bass with the Poison Control Center, and for truly inspiring extraordinary performance.  You are an MVP in my book.



For more info check out:
http://www.facebook.com/pages/Derek-Lambert-and-the-Prairie-Fires/179604958738221 —Derek Lambert and the Prairie Fires facebook

http://maximumamesrecords.com/  —Maximum Ames Records

Photo credit: by Tony Galloro


Talking with the 80/35 Music Festival’s MVP— Derek Lambert

One of my all time favorite quotes is from Major League Baseball Hall Of Famer, Ernie Banks.  The quote goes, “Let’s Play Two.”  Meaning he loved baseball so much he always wanted to play a double header.  Not bad for a guy who never made it to a World Series.  
Now for an Iowa band, the World Series of Iowa shows has to be the 80/35 Music Festival.  Celebrating it’s 5th and most successful year this past weekend in downtown Des Moines.  One person had a day that would truly have inspired even a great like Ernie Banks!
Des Moines musician Derek Lambert played 5 shows with 5 different bands on Saturday.  
At noon he fronted his intense and melodic band, Derek Lambert and the Prairie Fires.
Then at 1:30 he played bass with the show stopping theater of Christopher the Conquered.  
Then at 7pm played drums for the wonder that is Leslie and the Ly’s
Then at 11pm played more drums for the debut performance of the punk rocking PURE GUT.
Then at Midnight, 12 hours after he strummed the first chord of the day he played bass for the Poison Control Center.
So lets do the math 5 shows, 3 different instruments, 4 different stages, 12 hours, all in a 105 degree heat index!  I have never experienced watching anything like it.  Now that he has had a day off lets talk with the MVP of 80/35!


Patrick Tape Fleming:  Your epic rock n roll day started at noon with your band, Derek Lambert and The Prairie Fires.  Was the day less stressful to get the big one out of the way first?
Derek Lambert:  Definitely.  For me, it is a totally different experience to play a backing instrument in a band than it is to sing and play my own songs. I don’t get nervous at all for most of the bands I’m in, but there is still a sense of vulnerability that I feel when performing my own songs and it can be nerve racking. So yes, it was very relieving to get that one out of the way first. 

PTF:  The Heat index was 105 degrees. How did you keep cool when you were not playing, moving equipment, or changing outfits for all the performances? 
DL:  I usually didn’t. But I chugged as much water as I could physically dump into my body and then poured the rest on my head. And at one point in the day, when I’d had too much heat, I left with my friends Dustin and Hannah to take a half hour nap in the air conditioning, which was a huge help. 


PTF:  How many practices did you put in preparing for 5 different shows, on 3 different instruments for 80/35? 
DL:  I would say I probably had about 10 band practices over the past few weeks. The peak of it was probably last week when you and I had back-to-back band practices totaling over 5 hours worth of rocking in the heat of my ill-ventilated basement. 

PTF:  You and Chris Ford are roommates and play in each other’s bands.  Is he usually the first person you show new songs and vice versa?
DL:  I definitely hear him playing most of his new songs around the house as they develop, so I believe I am usually among the first to hear them (which is awesome). I tend to be a little more private when I write songs, so I like to finish them and then I’ll show them to my band… which includes Chris, so I guess he is one of the first people to hear mine as well.


PTF:  Your dad was at all 5 of your shows on Saturday, how big of influence have your parents been on your music career? 
DL:  My parents are hugely supportive of anything that I want to do, so that is obviously very influential to somebody who wants to opt out of college in order to run sound at a music venue and occasionally travel the country playing music. They come to every one of my shows that they are able to, and they love everything that I do (or at least they tell me they do). I could never overestimate the value of that support.


PTF:  If you had one magical dream day where you could play with any 5 bands ever who would they be and why?
DL:  12pm. Fugazi - kick off the day with one of the most intense live bands ever, we’d blast the sleep right out of your eyes
1:30pm. Doc Watson & myself - I’d enjoy the afternoon sun by embellishing my love for the acoustic guitar with one of the greatest players of all time
-lunch and nap break-
7pm. Tom Waits - I would be down for whatever he wants to do, and it would be amazing
11pm. The Monks - one of the most daring, inventive, and fun bands of the 1960s, it would be a blast to perform with them
12am. The Poison Control Center - the greatest band to ever come out of my home state, I wouldn’t trade that reality for fantasy.
Derek thanks so much for talking to me, playing bass with the Poison Control Center, and for truly inspiring extraordinary performance.  You are an MVP in my book.
For more info check out:
http://maximumamesrecords.com/  —Maximum Ames Records

Photo credit: by Tony Galloro

June 28, 2012


Destination Inspiration - Talking with Christine Doolittle of the Des Moines Art Center 
Where do you go to get inspired?  Do you take long walks in the countryside, read Shakespeare, or turn on a record?  In your daily life of sleep, eat, and work, sometimes you need to take a breather and go someplace where you allow yourself to be overcome by inspiration.  It’s makes you think, react, and do things that inspire others to make the world a better place. 
When I need a jolt of inspiration I like to spend an afternoon in the Des Moines Art Center or take a run through the Pappajohn Sculpture Park.  Today we go behind the scenes and talk to the Des Moines Art Center’s Director of Marketing and Public Relations, Christine Doolittle.

Patrick Tape Fleming:  Whenever I need a quick blast of inspiration, I head to the Des Moines Art Center.  Can you describe how working in such a creative environment affects your work day?

Christine Doolittle:  Every day at the Art Center is different, from preparing for exhibitions, to working on the website, to the most exciting part of our jobs: meeting the artists. Also, it’s inspiring to walk through the galleries and see new work installed every day. Many people think the permanent galleries remain constant, but much to the contrary, our installations team rotates out works of art on a regular basis. I was just in the lower section of the Richard Meier building the other day and saw one of our newest acquisitions hanging, the Mark Grotjahn drawing, which up until that point, I had only seen in pictures. It’s stunning. (It’s also on the cover of our latest newsletter.)


 



PTF:  The Des Moines Art Center is free for everyone, which is incredible.  Can you explain why that is, and do patrons need to do anything to keep it that way?

CD:  The Art Center is extremely proud to offer free admission, thanks to our donors, both corporate and individual, and to the foundations that help support this mission. Not only is admission always free (with the exception of a few special events), we have free lectures, gallery talks, films, and community days. In many cities, museums only offer free admission to members, which is the main incentive to become a member in those cases, but for the Art Center, our members ensure free admission for all. Admission is free at the Pappajohn Sculpture Park as well.


 



PTF:  Education is a huge part of the Des Moines Art Center.  Can you tell us about some of the extra activities that the Des Moines Art Center offers up?  

CD:  Not only do we offer classes and scholarships to all ages and all skill levels in many media (including drawing, painting, printmaking, cartooning, jewelry-making, ceramics, etc.), we also strive to make the artwork we present more meaningful by providing multi-faceted programming including films (artists’ choice or chosen by the Education department), artist lectures, scholar lectures, gallery talks with curators, audio and cell phone tours, docent-led tours, and gallery guides. We also offer free guided tours to every fourth-grade student in the local five-district area (we cover transportation for them as well).


 



PTF:  I have always wondered how often the Des Moines Art Center seeks out new pieces for the permanent collection?

CD:  We have an acquisition team that is made up of Art Center supporters, board members, and staff that work with curators and the director to decide what is needed for the collection and what will enhance the collection.
 


PTF:  Who is the most inspiring artist to you, ever? And why?
CD:  Not that I am able to choose just one, but we had a one-person exhibition here last fall with San Antonio artist Dario Robleto, titled Survival Does Not Lie In The Heavens. Dario’s work focuses on extinction, longevity, and memories, and is made up of materials such as love letters, human tears, fossils, audio tape, and amber. The work is truly poetic and inspired me to reflect on mortality, responsibility, and relationships.

 PTF Note: Dario Robleto did the artwork to one of my favorite bands most recent albums.. I had no idea who he was.  Thanks Christine.
A huge thanks to Christine Doolittle and everyone from the Des Moines Art Center  for providing a place of pure inspiration for anyone to discover! 
For more information check out.
http://www.desmoinesartcenter.org/

Destination Inspiration - Talking with Christine Doolittle of the Des Moines Art Center 

Where do you go to get inspired?  Do you take long walks in the countryside, read Shakespeare, or turn on a record?  In your daily life of sleep, eat, and work, sometimes you need to take a breather and go someplace where you allow yourself to be overcome by inspiration.  It’s makes you think, react, and do things that inspire others to make the world a better place. 

When I need a jolt of inspiration I like to spend an afternoon in the Des Moines Art Center or take a run through the Pappajohn Sculpture Park.  Today we go behind the scenes and talk to the Des Moines Art Center’s Director of Marketing and Public Relations, Christine Doolittle.


Patrick Tape Fleming:  Whenever I need a quick blast of inspiration, I head to the Des Moines Art Center.  Can you describe how working in such a creative environment affects your work day?

Christine Doolittle:  Every day at the Art Center is different, from preparing for exhibitions, to working on the website, to the most exciting part of our jobs: meeting the artists. Also, it’s inspiring to walk through the galleries and see new work installed every day. Many people think the permanent galleries remain constant, but much to the contrary, our installations team rotates out works of art on a regular basis. I was just in the lower section of the Richard Meier building the other day and saw one of our newest acquisitions hanging, the Mark Grotjahn drawing, which up until that point, I had only seen in pictures. It’s stunning. (It’s also on the cover of our latest newsletter.)

 

PTF:  The Des Moines Art Center is free for everyone, which is incredible.  Can you explain why that is, and do patrons need to do anything to keep it that way?

CD:  The Art Center is extremely proud to offer free admission, thanks to our donors, both corporate and individual, and to the foundations that help support this mission. Not only is admission always free (with the exception of a few special events), we have free lectures, gallery talks, films, and community days. In many cities, museums only offer free admission to members, which is the main incentive to become a member in those cases, but for the Art Center, our members ensure free admission for all. Admission is free at the Pappajohn Sculpture Park as well.

 

PTF:  Education is a huge part of the Des Moines Art Center.  Can you tell us about some of the extra activities that the Des Moines Art Center offers up?  

CD:  Not only do we offer classes and scholarships to all ages and all skill levels in many media (including drawing, painting, printmaking, cartooning, jewelry-making, ceramics, etc.), we also strive to make the artwork we present more meaningful by providing multi-faceted programming including films (artists’ choice or chosen by the Education department), artist lectures, scholar lectures, gallery talks with curators, audio and cell phone tours, docent-led tours, and gallery guides. We also offer free guided tours to every fourth-grade student in the local five-district area (we cover transportation for them as well).

 

PTF:  I have always wondered how often the Des Moines Art Center seeks out new pieces for the permanent collection?

CD:  We have an acquisition team that is made up of Art Center supporters, board members, and staff that work with curators and the director to decide what is needed for the collection and what will enhance the collection.

 

PTF:  Who is the most inspiring artist to you, ever? And why?

CD:  Not that I am able to choose just one, but we had a one-person exhibition here last fall with San Antonio artist Dario Robleto, titled Survival Does Not Lie In The Heavens. Dario’s work focuses on extinction, longevity, and memories, and is made up of materials such as love letters, human tears, fossils, audio tape, and amber. The work is truly poetic and inspired me to reflect on mortality, responsibility, and relationships.

 PTF Note: Dario Robleto did the artwork to one of my favorite bands most recent albums.. I had no idea who he was.  Thanks Christine.

A huge thanks to Christine Doolittle and everyone from the Des Moines Art Center  for providing a place of pure inspiration for anyone to discover! 

For more information check out.

http://www.desmoinesartcenter.org/

June 11, 2012
“Don’t doubt what can be accomplished; be a part of it.” 
Danny Heggen always has a creative project going on that betters the community around him.  I think this is truly important for everyone in life.  We need things that we can put our whole hearts into, set goals, and strive for them.  Something that not only helps others around us, but makes us feel better about ourselves.  Take a moment to think about what and how you could create a better community around you - by volunteering, helping a friend? Or more?  
Today I’m excited to chat with Danny Heggen of Des Moines, Iowa - one of the hardest working people I know. 
(Patrick Tape Fleming)
Before we get into all your projects tell us what you do for a day job, and if you consider it a day job?
(Danny Heggen)
By day I am a youth program coordinator for the nonprofit Community Youth Concepts in Des Moines. I run after-school and outside-of-school programs based around volunteer service. Basically, what I do is jumpstart service projects. Working with groups that don’t know how to get started on service, I facilitate planning sessions to develop projects based off activities the youth enjoy doing (like playing video games or making stuff out of duct tape) and then figure out how to turn those activities into community service. One of my favorite recent projects was making duct tape wallets for a homeless shelter in Des Moines (Central Iowa Shelter & Services). The shelter was pumped, and I got to learn how to make these during the process. I absolutely love it. I get to work with the community. I get to be creative. And working with youth is so random and fun. I’ve been doing this for a couple years now, so it seems that it’s more than a day job. What I want to do with my life is a constant question. I am passionate about working with young people, music, and writing. And the harder I work on each of these, the answer becomes a bit clearer: I need and want to do something with my life that allows creativity, purpose, and working with my community. What that is exactly, I don’t know. The fun part is trying to find the balance in all these, as well as being in love with my wife.

PTF:  You edited the book From a Growing Community, Iowa’s Homeless Youth, To date, From a Growing Community has been taught at four local colleges and universities around Iowa and helped to raise more than $40,000 for Youth & Shelter Services, Inc. Tell us how you got involved with the project and how you achieved such success with it?
DH: I started that project after working with imprisoned women in Perth, Australia for a year, which resulted in my first published book, Voices on the Inside: the Women of Boronia. Coming home in 2007, I knew I wanted to replicate that process and see what I could do. I got to work in 2008 researching youth homelessness in Des Moines — something I’d learned about through Reggie’s Sleep Out, an event organized by Iowa Homeless Youth Centers. After spending a few months volunteering in shelters around Des Moines and Ames, I left a letter at the shelters about myself and asked staff to give them to youth who came through to receive services. In the letter, I asked youth to respond, and that’s why the book ended up being a collection of letters. Throughout all that, I had moved into Des Moines and got connected with a great group of people, including Justin Norman, a graphic and website designer. He signed onto the project, and we expanded his company, Shrieking Tree, into a publishing company. It was an incredible learning experience. The issue of youth homelessness is intimidating, which, I believe, is why most people don’t even begin to think about it. So the main thing I wanted the book to do was make the issue accessible and approachable. If I could draw someone in to pick it up and read one story, I knew it would impact their worldview. I wanted each reader to ask, “What can I do to help?” My real lesson, however, was in marketing and advertising. It was the night of the book release that I realized we’d produced this resource for the community, but that in-and-of-itself was not enough. I could create the most beautiful thing in the world, but that truly is the easy part. The hard part is getting the people around you to see that beauty, too. In short, producing something only gets you to the base of the mountain. The work begins at that point. Which kind of sucks. But also makes me believe in the power of community. I started saying, “Don’t doubt what can be accomplished; be a part of it.” That’s what makes sense. I love supporting people. And I love asking people for their support. I want everyone around me to be successful. And I hope everyone wants the same of me. All that achieved was due to the people who helped me move forward, which was often one person at a time. (Sorry, that was a novel.)

PTF:  We are pretty lucky to live in Iowa, such a star on the political map. Back in 2004 my band got to play with Max Wineberg of the E-Street Band at a political rally. Your band the Seedlings recently opened for the real BOSS, President Barak Obama. Describe how you felt when you got that call to open for President Obama.
DH:  Ryan Stier, one of my best friends who plays in Seedlings as well as leads The River Monks, said it best: “I could pick up and take the music I make anywhere in the world. Portland, LA, Austin, Nashville, New York. These are all very great places, and I have the utmost respect for anyone who does. But me, I prefer Des Moines.” His statement stemmed from the fact that this kind of opportunity is probably only possible for a band our size in Des Moines. We’ve been playing together for 4 years now, but it still feels like we’re just getting out of the starting blocks. When I got the call from the Obama for Iowa staff, I couldn’t believe what they were asking. It was only a week before the event, and we had 5 hours to confirm and get them all our information — they needed to do background checks and lyrics to our songs. The hardest part was keeping it quiet for 5 days. I told my office (because I had to take the afternoon off) and I told my family. But otherwise, it was all under the radar until the Tuesday before the event. It was pretty cool taking calls from Washington D.C. from Obama’s official event staff. And when we got there to set up the night before the event, the whole staff came up and was like, “It’s so great to meet you! We love your music.” And we were all kind of stunned — the honor truly was ours. So we did our best to play it cool. And we didn’t get to meet the president as a band, but I did shake his hand after the event. The staff informed me that he was also briefed on us prior to that event. That works for me!

PTF:  You’re writing and researching a book called, I Could Do That - How I survived Planning a DIY Wedding. What are the top 3 challenges you had to over come while planning your own DIY Wedding? And how did you over come them?
DH:  Oh man. 
1. I didn’t know I was supposed to be overwhelmed. At first, I was like, “All right! We’re engaged. Next step marriage.” Turns out there’s a lot to think about (everything….you have to think about everything). To overcome this, the important part was figuring out which tasks I could be in charge of. I took charge of the music, scheduling with vendors, and running 2nd errands — which means I ran back out when we didn’t get the right thing the first time. 
2. I like to say, “It’s not that I didn’t care. It’s just that I didn’t care that much.” I wanted Katy, my wife, to be happy with everything — from the flowers to the music. To do this, we decided that our wedding needed to be “us.” Which meant 3 things: great music, great food and drinks, and great people. To overcome this, I literally had to join them, as in “If you can’t beat them, join them.” Wedding planning exists in its own (huge) world. Regardless of how hard I fought joining this madness, joining was the only option to actually get work done. 
3. I’m not a direct person. Katy is. And I love that about her. It was a great opportunity to work together. She had to learn how to get me to not be indirect, and I had to learn how to be direct (see what I did there?). To overcome this, I honestly had to think about whatever it was we were working on and form an opinion of it — which means I couldn’t just be apathetic to the whole process. In short, I had to care, which wasn’t that hard to do. I just needed a reminder. The greatest thing about being married? Not wedding planning.

PTF: You are always working on new projects that help the community we live in. What inspires you to make a difference in the world?
DH:  I genuinely care about the people who surround me. As I said before, I want everyone around me to be successful. And I hope people want me to be successful as well. There is no greater feeling than supporting a friend in what they’re doing. I think about how I can help them and then do my best to follow through with those actions. Whether it’s connecting someone to the right network or helping them think about what they’re doing to make it more effective, I love figuring out how to help people move forward. I do consulting with artists and nonprofits (get in touch with me if you’re interested: @dannyheggen or email). I see my writing as a way to educate others about the world around us and how we can be involved in the solution. And I see my music as a way to emotionally connect to experiences we all go through from love and happiness to heartbreak and sorrow. It’s all about opportunities — taking them and providing them. Our role changes between each of these, and it’s important to recognize this. If you need an opportunity, ask. If you can provide an opportunity, reach out.

Danny thanks so much for talking with me today!  Your hard work and big heart are truly inspiring.  Keep up the good work!
For more information on Danny and his many projects visit these links.
http://dannyheggen.tumblr.com/  Tumblr
http://31tipsfordsm.tumblr.com/  31 Tips for Des Moines Blog
http://seedlingsmusic.tumblr.com/  Seedlings Band Page

“Don’t doubt what can be accomplished; be a part of it.” 

Danny Heggen always has a creative project going on that betters the community around him.  I think this is truly important for everyone in life.  We need things that we can put our whole hearts into, set goals, and strive for them.  Something that not only helps others around us, but makes us feel better about ourselves.  Take a moment to think about what and how you could create a better community around you - by volunteering, helping a friend? Or more?  

Today I’m excited to chat with Danny Heggen of Des Moines, Iowa - one of the hardest working people I know. 

(Patrick Tape Fleming)

Before we get into all your projects tell us what you do for a day job, and if you consider it a day job?

(Danny Heggen)

By day I am a youth program coordinator for the nonprofit Community Youth Concepts in Des Moines. I run after-school and outside-of-school programs based around volunteer service. Basically, what I do is jumpstart service projects. Working with groups that don’t know how to get started on service, I facilitate planning sessions to develop projects based off activities the youth enjoy doing (like playing video games or making stuff out of duct tape) and then figure out how to turn those activities into community service. One of my favorite recent projects was making duct tape wallets for a homeless shelter in Des Moines (Central Iowa Shelter & Services). The shelter was pumped, and I got to learn how to make these during the process. I absolutely love it. I get to work with the community. I get to be creative. And working with youth is so random and fun. I’ve been doing this for a couple years now, so it seems that it’s more than a day job. What I want to do with my life is a constant question. I am passionate about working with young people, music, and writing. And the harder I work on each of these, the answer becomes a bit clearer: I need and want to do something with my life that allows creativity, purpose, and working with my community. What that is exactly, I don’t know. The fun part is trying to find the balance in all these, as well as being in love with my wife.


PTF:  You edited the book From a Growing Community, Iowa’s Homeless Youth, To date, From a Growing Community has been taught at four local colleges and universities around Iowa and helped to raise more than $40,000 for Youth & Shelter Services, Inc. Tell us how you got involved with the project and how you achieved such success with it?

DH: I started that project after working with imprisoned women in Perth, Australia for a year, which resulted in my first published book, Voices on the Inside: the Women of Boronia. Coming home in 2007, I knew I wanted to replicate that process and see what I could do. I got to work in 2008 researching youth homelessness in Des Moines — something I’d learned about through Reggie’s Sleep Out, an event organized by Iowa Homeless Youth Centers. After spending a few months volunteering in shelters around Des Moines and Ames, I left a letter at the shelters about myself and asked staff to give them to youth who came through to receive services. In the letter, I asked youth to respond, and that’s why the book ended up being a collection of letters. Throughout all that, I had moved into Des Moines and got connected with a great group of people, including Justin Norman, a graphic and website designer. He signed onto the project, and we expanded his company, Shrieking Tree, into a publishing company. It was an incredible learning experience. The issue of youth homelessness is intimidating, which, I believe, is why most people don’t even begin to think about it. So the main thing I wanted the book to do was make the issue accessible and approachable. If I could draw someone in to pick it up and read one story, I knew it would impact their worldview. I wanted each reader to ask, “What can I do to help?” My real lesson, however, was in marketing and advertising. It was the night of the book release that I realized we’d produced this resource for the community, but that in-and-of-itself was not enough. I could create the most beautiful thing in the world, but that truly is the easy part. The hard part is getting the people around you to see that beauty, too. In short, producing something only gets you to the base of the mountain. The work begins at that point. Which kind of sucks. But also makes me believe in the power of community. I started saying, “Don’t doubt what can be accomplished; be a part of it.” That’s what makes sense. I love supporting people. And I love asking people for their support. I want everyone around me to be successful. And I hope everyone wants the same of me. All that achieved was due to the people who helped me move forward, which was often one person at a time. (Sorry, that was a novel.)


PTF:  We are pretty lucky to live in Iowa, such a star on the political map. Back in 2004 my band got to play with Max Wineberg of the E-Street Band at a political rally. Your band the Seedlings recently opened for the real BOSS, President Barak Obama. Describe how you felt when you got that call to open for President Obama.

DH:  Ryan Stier, one of my best friends who plays in Seedlings as well as leads The River Monks, said it best: “I could pick up and take the music I make anywhere in the world. Portland, LA, Austin, Nashville, New York. These are all very great places, and I have the utmost respect for anyone who does. But me, I prefer Des Moines.” His statement stemmed from the fact that this kind of opportunity is probably only possible for a band our size in Des Moines. We’ve been playing together for 4 years now, but it still feels like we’re just getting out of the starting blocks. When I got the call from the Obama for Iowa staff, I couldn’t believe what they were asking. It was only a week before the event, and we had 5 hours to confirm and get them all our information — they needed to do background checks and lyrics to our songs. The hardest part was keeping it quiet for 5 days. I told my office (because I had to take the afternoon off) and I told my family. But otherwise, it was all under the radar until the Tuesday before the event. It was pretty cool taking calls from Washington D.C. from Obama’s official event staff. And when we got there to set up the night before the event, the whole staff came up and was like, “It’s so great to meet you! We love your music.” And we were all kind of stunned — the honor truly was ours. So we did our best to play it cool. And we didn’t get to meet the president as a band, but I did shake his hand after the event. The staff informed me that he was also briefed on us prior to that event. That works for me!


PTF:  You’re writing and researching a book called, I Could Do That - How I survived Planning a DIY Wedding. What are the top 3 challenges you had to over come while planning your own DIY Wedding? And how did you over come them?

DH:  Oh man.

1. I didn’t know I was supposed to be overwhelmed. At first, I was like, “All right! We’re engaged. Next step marriage.” Turns out there’s a lot to think about (everything….you have to think about everything). To overcome this, the important part was figuring out which tasks I could be in charge of. I took charge of the music, scheduling with vendors, and running 2nd errands — which means I ran back out when we didn’t get the right thing the first time.

2. I like to say, “It’s not that I didn’t care. It’s just that I didn’t care that much.” I wanted Katy, my wife, to be happy with everything — from the flowers to the music. To do this, we decided that our wedding needed to be “us.” Which meant 3 things: great music, great food and drinks, and great people. To overcome this, I literally had to join them, as in “If you can’t beat them, join them.” Wedding planning exists in its own (huge) world. Regardless of how hard I fought joining this madness, joining was the only option to actually get work done.

3. I’m not a direct person. Katy is. And I love that about her. It was a great opportunity to work together. She had to learn how to get me to not be indirect, and I had to learn how to be direct (see what I did there?). To overcome this, I honestly had to think about whatever it was we were working on and form an opinion of it — which means I couldn’t just be apathetic to the whole process. In short, I had to care, which wasn’t that hard to do. I just needed a reminder. The greatest thing about being married? Not wedding planning.


PTF: You are always working on new projects that help the community we live in. What inspires you to make a difference in the world?

DH:  I genuinely care about the people who surround me. As I said before, I want everyone around me to be successful. And I hope people want me to be successful as well. There is no greater feeling than supporting a friend in what they’re doing. I think about how I can help them and then do my best to follow through with those actions. Whether it’s connecting someone to the right network or helping them think about what they’re doing to make it more effective, I love figuring out how to help people move forward. I do consulting with artists and nonprofits (get in touch with me if you’re interested: @dannyheggen or email). I see my writing as a way to educate others about the world around us and how we can be involved in the solution. And I see my music as a way to emotionally connect to experiences we all go through from love and happiness to heartbreak and sorrow. It’s all about opportunities — taking them and providing them. Our role changes between each of these, and it’s important to recognize this. If you need an opportunity, ask. If you can provide an opportunity, reach out.



Danny thanks so much for talking with me today!  Your hard work and big heart are truly inspiring.  Keep up the good work!

For more information on Danny and his many projects visit these links.

http://dannyheggen.tumblr.com/  Tumblr

http://31tipsfordsm.tumblr.com/  31 Tips for Des Moines Blog

http://seedlingsmusic.tumblr.com/  Seedlings Band Page